plágaro textos - texts

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On Playing with Repetition and the Compulsion toward Originality – Esther Ruelfs

On Playing with Repetition and the Compulsion toward Originality. The Painting of Alfredo Álvarez Plágaro For several years now, Alfredo Álvarez Plágaro has been calling his works on canvas “Identical Paintings.” In 1992 1991 he showed them in two parallel exhibitions in Madrid, under the title “Two Identical Exhibitions.” The same thing at the same time in two different places: this would seem to be a paradox. Any attempt at comprehending Plágaro’s “identical” paintings of recent years by applying an art historical examination oriented on a...

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Plágaro, 24 years on – Miguel Fernández-Cid

“Since I did my first two identical paintings I have never gone back to painting pictures that were supposedly different” (Plágaro, 2012) What could lead a 28-year-old artist to announce that, from that moment on, he would only paint identical pictures? Why did he replace the reference text of his first ‘catalogue with a back’ with a hard, resonant ‘loop’ sentence saying, “The most important thing is not what is but what it is several times.” What made him prepare his presentation in Madrid in two separate galleries, under the title Two...

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Alfredo Álvarez Plágaro: A Passionate Dadaist – Klaudija Kosanović

Alfredo Álvarez Plágaro: A Passionate Dadaist Rhythmic color fields pulsate in the Identical Paintings of Alfredo Álvarez Plágaro. Horizontally, vertically or diagonally they meet up, delimiting or overlapping one another in complex relationships evoking tension or harmony. The overall pictorial vocabulary and painterly structure of the Identical Paintings – with the complexity of their coloration, their materiality and the relations between the individual color fields – supply an abundance of sensory stimulation and arouse in the eye of the...

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Because nothing is certain – Silke von Berswordt-Wallrabe

Reflections on the Identical Paintings of Alfredo Álvarez Plágaro I. Time after time Alfredo Álvarez Plágaro paints again his Identical Paintings. Identical pictures, hung above or beside each other with uniform spaces between them, compose together a single work, though each individual element remains recognizable. On actual viewing, that which can be described so briefly and tersely in its basic structure evokes immediate astonishment and perplexity, for a picture painted repeatedly in precisely the same way cannot be easily accommodated to...

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Repetition as Freedom – Erich Franz

On the “Identical Paintings” of Alfredo Álvarez Plágaro Plágaro firmly and ineluctably transforms the traditional relationship between spectator and painting. His Identical Paintings at once carve up and reproduce the image field, so that the gaze is neither focused on a single field of view nor is it drawn into a self-contained “visual realm.”1 Plágaro’s paintings inescapably and almost painfully shift the view away from the painted space of the individual paintings and pull the real space between the pictorial elements in. In contrast to...

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